In Dreams Awake

Our truest life is when we are in dreams awake.

(Henry David Thoreau)

Thursday, 10 May 2018

No Pressure, Then.

 I've been thinking about battle in SF and Fantasy.

 In SF onscreen, it's usually rubbish. Star Wars has fighters that behave just like planes in World War I, dogfighting around planets. Space: Above and Beyond was the same. Moonraker and others feature marines who drop from orbit into battle. But all these things are nonsense. Our technology is already so advanced that we can pick aircraft off from miles away with homing missiles, so why use lasers that miss even from a few hundred metres? Why drop assault infantry from orbit when micro missiles would shred them high in the atmosphere?

 Fantasy is bad too. Partly that's the LOTR tradition, in which the Good Guys come through massive battles without a scratch, leaving a trail of dead Orcs or generic Bad Guys behind. I know a bit of history, and nobody comes through a battle that way. You suffer burns where your shield ring rubs, or blisters, or bruises from your armour taking a hit. In medieval days people died when their armour was driven into flesh and jumbled up their organs. No scratch? That means no one hit you, so you're either luckier than gods or faster than light. Silly either way.

 As for magic, mostly we find what I think of as the Terry Brooks approach. Mages who throw spells around, usually beams of red or green like lasers, sometimes illusions. And this, friends 'n neighbours, is the one that really annoys me. Is that really the best way a mage can think of to fight?

 I have a new WIP which involves a good bit of magic. It's used to fight, which means I need to work out how. I don't want to have this mano a mano approach. I'm looking at illusion, mages changing their appearance or fading into the background, so you don't know they're there until they strike. But what else could a sorcerer do? Slice time, perhaps. Divide a second into smaller and smaller segments, allowing himself to move more quickly than an opponent and so counter his moves before they develop. They might win by crushing the rival's mind. Someone watching would see the figures blur, and not much else, except that maybe the ground around them bubbles or cracks with the force unleashed.

 These are broad strokes, and I don't have details yet. But I like the direction of ideas. It's a little different from the usual, and that's a good thing I think. Let's give the reader something new to look at. It might be better, might be worse (that up to me, so no pressure, then). But at least it will feel new, and that matters.

 That's all for now. Pip pip.

Saturday, 21 April 2018

We All Wear Levi's

 There's a meeting of the Commonwealth Heads of Government at the moment, with the acronym CHOGM. Catchy, eh? They're deciding who'll replace the Queen as head of the Commonwealth. As a Republican I could care less, but there's another issue too, which is that 70% of Commonwealth countries apparently still ban homosexuality.

 Now to my mind, who sleeps with who isn't my business. If two men are in love, or two women, that's fine. Love is very rarely wrong. But still, do we really have the right to lecture other countries, other cultures, on what to believe?

 That's cultural imperialism. There's still a good bit of it about, unfortunately, sixty or seventy years after the end of the European Empires. People get upset because Saudi Arabia, among other countries, punishes thieves by cutting off their hands. They get angry because homosexuality is illegal in Zambia, or women have few rights in Pakistan. Those things seem strange to me too, even a bit backward. But I know that's because of my perspective as a man raised in the increasingly liberal West. I'm not sure I have the right to lecture other peoples on issues like these. Their cultural histories are different from mine, so their outlooks are too.

 The world wasn't like this, once. Marco Polo could travel to China and be amazed by the differences. Ibn Battuta covered the world from Morocco to China and wrote of the wonders he saw. Now we can travel from Britain to Cuzco or Samarkand, and most likely find a McDonald's on a street corner and a little shop that sells Pepsi. Everything has to be made the same. I think that's a pity. I'd rather live in a world of myriad cultures with different rules and traditions, than one in which every pub is a Wetherspoons and we all wear Levi's.

 I'd like to see homosexuality accepted everywhere, and women's rights too. I'm liberal to my bones. But if the price of that is losing the things that make us different, losing much of the world's cultural identities... well, then I don't know, because I love those differences too. It's the sort of conundrum which liberals have failed to deal with in the past. We all defend a woman's right to have as many children as she wants, but we also know that overpopulation is killing the ecosystem, so which belief do we abandon? Which holy cow do we shoot?

 Instead of trying to sort through this, at CHOGM they've spent days deciding that the next Commonwealth head will be the heir of a hereditary monarch. Imperialism, still kicking after all this time.

Friday, 6 April 2018

Cursed Earworms

 I just finished watching Altered Carbon on Netflix, and the first thing to say is - watch it. And Netflix, make another series, please. It's graphic and sometimes brutal, but also brilliant. It reminds me a bit of the Blade Runner films, and there's no higher praise.

 The key, as always, is the writing. There were surprises all along, in every episode. In this future world consciousness can be kept in a Stack, an electronic box at the back of the neck, and it's from this that all else flows. The whole society is shaped by what that one idea leads to. I don't want to throw out spoilers, so I'll limit myself to saying that life is cheap for most while the wealthy have achieved immortality. All very topical, eh?

 Isaac Asimov once said that when he read a particularly good book he'd get frustrated, and throw it across the room because he hadn't thought of it himself. (He said the same about a bad book, which he threw in disgust. Writers are a funny bunch.) I feel like that about Altered Carbon. It's the best SF series I've ever seen on TV, and there has to be another run. But then, I thought that about Defying Gravity, and that was never renewed. So don't let me down again, and as Homer Simpson said, let me bask in television's warm glowing warming glow.

 Speaking of good writing, Netflix has also done a show called The Good Place. I watched both series of that and they were fabulous, funny and creative all along. As different from Altered Carbon as you can imagine, but very nearly as good. Watch that too, if you can. I don't often watch TV as a habit, though these days I seem to see an awful lot of kids shows, and find myself humming the Mister Tumble songs, which are the most cursed earworms ever. But I do watch Netflix some of the time. Some of their shows are original, clever, and well written. By comparison the shows on the BBC or ITV seem pretty tired.

 I keep seeing adverts on Facebook urging me to submit writing to Netflix, Amazon et al. They're making a lot of new programming and they need scripts. Could I convert one of my novels to a TV show? It's a tempting thought. I've never written a script before, but as I always say, God hates a coward.

 Pip pip.

Tuesday, 27 March 2018

A Chapter of Authors

 Well, you win some, you lose some.

 The book launch in Tiverton was a bit of a disaster. Snow started falling in the morning and nobody left home, the whole town centre was empty. I turned up anyway - I'd hate to default and then have people come to the event - but nobody showed. Given the snow I'd expected it. God was not playing ball.

 Still, it was great to meet Kayleigh, who runs liznojan bookstore. I'll be going there again on May 4th for a sort of mini-Comicon of Fantasy and SF authors, several local indies all in one place.Either heaven or a nightmare, right? I don't even know the collective noun for a group of authors. A bicker, maybe. Or a chapter of authors. That sounds pretty good, actually. But I digress (again). In June we hope to have an event at liznojan, and perhaps elsewhere, as part of Tiverton Literary Festival. So the launch itself was a bust, but some good things have come of it.

 Meanwhile, I've had two weeks off work and decided to focus on writing How The Stars Shine. I wanted to get through 15,000 words in that fortnight and actually managed 21,000. When the work flows like that it's as though words are drifting down from the skies, falling out of the ether onto the page. It's why I write, for that buzz. It even makes editing and redrafting worth the effort.

 Well, sort of. I've really had to fight Stars for much of the draft. It's wanted to screw off in directions I hadn't planned but it's good, it works, even though it's been like trying to wrestle a bear. I'm coming towards the end now. It's a first draft and obviously rough at the edges, but it's the best thing I've ever done, by far.

 So it should be, eh? If I don't sometimes make a PB I might start to think my best is behind me, hehe.

 When this is done, I'm going to spend some time working on the publicity side. The books aren't selling especially well, so I need to advertise better than I have done. Not what I want to be doing, but it is what it is. As an indie you have to take control of every side of publishing (that's a hint, traditional publishers, help me out here). Ho hum. I just hope that I can be back on a draft again soon, wrestling that bear.

 Have a good spring holiday, everyone, and take care.

Tuesday, 13 March 2018

An interesting Idea

 Well, the new novel debuts on Saturday at liznojan bookstore in Tiverton, England. Here's the cover,

 As ever, I'm indebted to Mark Watts for the cover art. I think this one's a cracker too. We had a bloody handprint on it too at first, but then it looked too crowded, so we took that out. Good thing, too. This is a nice clean cover, I really like it.

 Covers matter. I know several indie authors who work like Trojans on the novel itself, but don't spend much time on covers or back page blurb. But that's what sells the book. The first thing a browser sees is the cover, and if that catches their eye they'll read the blurb. Still like it? They'll read the opening page or two, and if they're still interested they'll buy. If any of that turns them off, though, they're gone. Spend a bit of time on the details, people. It does help.

 Liznojan is a new indie bookstore, which I'm happy to support by holding my launch there. Indie book shops are important, a bit like libraries, they're a place for people to meet and chat about... everything, really. I like the name, too. 'Liznojan' means to learn while following a track, and isn't that just what reading is? You follow the story arc and who knows, maybe learn something along the way. A phrase that stays with you, an interesting idea, a character who inspires you. Aren't books terrific?

 Mine is maybe not terrific, but I think it's pretty good. It finishes the story of Kai and the Ashir, as they struggle to defeat the invaders and hold onto their culture. There are surprises along the way, and some grief, before we reach the end. It will be available as e-book or print copy on Saturday, the 17th of March, so get a copy and come along on the journey.


Thursday, 1 March 2018

You'd Have to be Hemingway

 Hi all.

 Yesterday I got involved (unwisely) in a Facebook thread about how quickly indie writers produce books. The fastest publish one every five or six weeks, meaning some ten a year. It reminds me a bit of NaNoWriMo, when some people reach the 50,000 words target on the first day. In honesty, I don't think anyone can write that fast and keep the quality. I could do 50,000 words a day, but most of it would be bleh bleh bleh, complete rubbish.

 So what about 20,000 words per day (wpd)? Not really possible either, to my mind. And down we go, until we reach a point where we start to think it can be done. Now, I realise that the world is full of wonders, and everyone writes in their own way, but still... 20,000 wpd? No. No, I don't think so, not with any quality.

 I said this in the FB thread, and promptly got shot to bits by lots of irate authors. Told you I was unwise

 But the thing is, I've never heard of a traditionally published author who writes ten publication-ready novels in a year. Never. OK, publishers don't want more than two a year anyway, and the process takes time as well, but even so it's a hell of a leap from two to ten. Are we really saying that just by being indie, authors can suddenly write five times faster than anyone else, and still keep their quality?

 I don't think we are. I suspect what usually happens is that authors dash off a book as fast as their fingers can go, publish it, then move on. Very little editing or rewrites, not much concern for standards. Just bang the book out and follow it with a few adverts, then start the next novel. So lots of words, but poor quality. I've read some of this stuff. It's not great.

 Of course, the key word is "usually". I'm sure there are one or two authors who can pull this off - ten books a year and still quality. But you'd have to be Hemingway or Stephen King to do it. If these authors can, then kudos to them. For myself, I know I'm no Hemingway, and I'll stick to the old-fashioned way. Write, revise, revise, edit, edit, and then (for the first time) ask myself if the work is finished. Or does it need another edit?

 Boring, eh? Too true. But it needs to be done.

 Pip pip.

Friday, 16 February 2018

Before and After

 Life's a funny old thing, y'know.

 There are people who want to live forever. I don't really understand that. Even in forever there will be something you didn't see, and anyway your regrets will pile up and pile up and maybe in the end choke you. In any case, if the old never die, what jobs will the young people do? How will they get a job at a physics department or shoe shop if the people who have those jobs never retire?

 Immortality means stasis. Nothing changing, nothing new. I think people take risks because they know their time is limited anyway .Even if you die, it's only popping off a bit earlier. But if you have forever in your sights,well now... why take a risk? Why go near a road if you might be run down, or board a plane that might crash? Immortality just means you don't die of natural causes. It doesn't make you immune to bombs or bullets.

 On the other hand (and how many lunatic ideas started with "On the other hand", do you think?) there's so much I want to see. I long to walk on Mars. Did you know the sky there is pink? I want to see my daughters get married and have kids, or become artists or activists or thinkers. Or serve coffee at Starbuck's, if that's what they want to do. I want to see Liverpool win the league title again. So many things, and I won't see them all. (Especially Liverpool... sigh) Life flits by like blown leaves, every leaf a year, and suddenly you're on the edge of fifty and wondering how the bloody hell you got there.

 But it's strange, because I like the different perspectives I've had as I've grown older. I've learned not to be certain of things, because much of what I once thought was obvious and clear turns out to be shades of grey. I've found that experience (and maybe a little wisdom) are better friends than energy and hot blood. I like myself, too. That took some learning, and a lot of forgiving myself for mistakes made and hurts done to others. I think I can face that final curtain, when it comes, with a little bit of a smile.

I'm not afraid to die. What matters is the life lived, not the avoidance of death. I want to teach my daughters what I can, and send them out into the world confident and brave and loved, and ready to sort out their own shit. I want to love my wife, who's broken my life into Before and After like I'm two different men, one emerging from the shell of the other. And after a bit of these things, as much as I can deal with and life allows me, I'll die. That's no cause for sorrow. Not if we can say we lived our lives well.

 Pip pip.